🤑 Instrumentals (Clams Casino album) - Wikipedia

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All I Need () by Soulja BoyProducer credit: Clams Casino. was sampled in. Tell Me by CASUALSEXCLUB (). CASUALSEXCLUB's Tell Me.


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All I Need - Clams Casino (Lucid Video)

I never sent it to him and I was sending him a bunch of stuff before that. My friend sent me another one of her songs. Hopefully, something really good happens like that. I made it for someone else, probably a few months before I sent it to Lil B. It was just something I always liked to do. I always liked to mess around with a lot of instruments. Pretty hardcore gangsta rap. I usually take one source. He was putting out so much stuff, just out there, really crazy stuff.

Good afternoon. Yeah, it is a little bit. I started listening to hip-hop when I was about 12, all i need soulja boy clams casino then I was only listening to hip-hop. The main thing that I liked was the vocal sample.

I just finished school this spring. I think some of his boys showed him stuff on go here mixtape, an EP or something, and he liked it a lot. I was sending stuff to everybody and I sent him that beat that Havoc ended up rapping on.

He loved it and here it is. I used to use samplers and hardware stuff, but right now, I just use the laptop. Tell us a little about your background and upbringing for those who might not know. I usually use them. A lot of people have said that. It takes me a long time to finish them.

For the past probably couple of years, just software and a laptop. Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. What is this? If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. Like all freestyles and putting out five or six songs a day. Yeah, the instrumental. People were talking about it for so long. Not that one. After my friend told me about her, I went and looked for some on my own and found some other stuff from her. Did you feel like you could start doing different things production-wise? Is that weird now that the roles are reversed? Colors, green, stuff like that. I get used to it, though, just the whole process. But right now is probably a good time to pursue the music thing because last week you had some beats on the number-one album in America. I like the quality of it, the lo-fi stuff, kind of like what I do. Mostly a lot of New York stuff. Even before I did, there was some big song that sampled her, so people were doing it before me. That was pretty cool, a complete surprise. So I sent it to his manager. I liked the stuff he did before a lot. What is he doing? His name was Nyce. So he shouted me out on Twitter. Yeah, that was crazy how that happened. Actually, he kinda just shouted me out on Twitter. Is that exciting? The first stuff he was doing on my beats, just freestyling really ridiculous stuff. Right around the time I started making beats this is what I was listening to. Were there any occasions when you had to chase down credits or chase down money? People making remakes and stuff. The stuff I make myself I try to sound like that. Definitely, for Wu-Tang, definitely the beats 'cause I had no idea what they were talking about. I think was when I started going online. They were doing straight, uptempo, really fast stuff, kinda like hyphy. But not most of them. I used to. I just wanna see where I can go with it. Right now I just use software. I had it laying around. Some bad things happen, some good things happen. Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level? This is one of my favorite songs. But every time I sit down, I probably start the beginning of three beats, but not finish them. Yet, at least. Is that frustrating that you make this beat and it just stops being yours? He flipped. I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. I was just trying to see what else I could do with it. When you throw stuff out online, anything can happen. Is that liberating as a producer to see someone doing such wild music? Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. Yeah, every song I did with Lil B. Not yet. I thought it was so funny and I kept sending him stuff and it just happened from there. And you actually ended up producing a track for Havoc and Mobb Deep. I started hearing them around five years ago. I forget the name of it. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. You mean just searching with a search engine and stuff? It seems it was an interesting time for the way hip-hop beats have exchanged hands and moved around. Growing up, I played drums and stuff. It just messes me up, so I try not to really think about that. But just the overall mood, the vibe of it, is kind of creepy and haunting. I can work in physical therapy if I wanted to. Then I sent it to him and he freaked out. But I got into the process of doing that and I got used to that, following him really close every time he dropped it. Is that changing as your career progresses? Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff. Everybody give it up for Clams Casino. I started making beats just for fun about ten years ago when I was a freshman in high school. So I usually end up making a lot of stuff out of the same sample. When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. How do you feel about that? I just always liked that beat. I first started listening to him when he was in a group called the Pack. From there, that was all I was into.